Banksy draws fire over Glastonbury protest

Banksy’s Refugee Boat protest at Glastonbury drew fire from a number of corners of the political and media spectrum. Across the board it was evident that everyone missed the point.

The raft (containing dummies and emblazoned with an iconic image) was launched into the crowd during the Idles song Danny Nedelko. No one, including the band, knew this was initiated by Banksy.

In this, the audience becomes an unwitting participant as the raft is ‘body surfed’ over the heads of the crowd who clearly think that this is part of the bands performance.

It was denounced as ‘vile’ by the British Home Secretary and branded as ‘middle class self indulgence’ and ‘tasteless lazy liberalism’ by MSM. However for my money it appears that Banksy hit the target, viz public and political sentiment around the issue of ‘boat people’ and ‘asylum seekers’ at point blank range.

Have we, the public, become the unwitting means by which the media and political machinations ensure that the issue of asylum and those seeking it, is an issue forever circulating in the divisive realms of ‘personal opinion’ and public speculation, dooming those who seek to escape various dire situations and risk their lives undertaking perilous journeys in overloaded and often less than sea worthy vessels only to die at sea or face an often hostile reception or incarceration on reaching their destination.

Image @ Independent Media

AddOn 2022

It’s Sunday, 6th November 2022 and we were at Bondi Beach for the opening of AddOn (part of the HeadOn Photo Festival) at the newly renovated Bondi Pavilion. Winter hadn’t really left and the day was uncharacteristically warm. The bodies on the beach, refugees from the COVID wars, lay scattered on the hot sands. It’s good to see AddOn return to the public space after being relegated to an online exhibition during the COVID lockdowns. This is my 9th year of exhibiting in this arm of the HeadOn Photo Festival. HeadOn is Australia’s largest photo festival.

Processed with Blackie

The show was opened by Charles McKean and Moshe Rosenzveig OAM. The impact of the COVID years was evident in the scaling down of the exhibition space, however given the restrictions, the works, although smaller than previous years in terms of printed scale, held up well and we (Suzy and I) are looking forward to the mailing out of the catalogue to this years exhibiting photographers.

Blue Mountains Winter Magic Festival 2015

30,000+ people braced an icy mid winter day to take part in the 22nd Blue Mountains Winter Magic Festival, I was one of those crazy people.

1066

AddOn 2013

Once again thanks to Charles McKean for the invite to participate in this years AddOn Exhibition. Last years show was memorable to say the least and it’s simply a great pleasure to be a part of a show that I know will push me to keep refining the way I see and do things.

AddOn

Exhibition Details

Official Opening:
Tue, 14/05/2013 – 18:00 – 20:00
Date of Show:

Tue, 14/05/2013 – Sat, 25/05/2013

AddOn is a non-competitive, anonymous, photographic exhibition curated by Charles McKean and Festival Director Moshe Rosenzveig.

One of the core events of Head On Photo Festival, AddOn showcases a diverse and exciting range of square images, taken by more than 100 photographers spanning professionals, artists, enthusiasts, celebrities and politicians. Shown without title or photographer credits, viewers interpret their images for what they are and bring their own meanings to them.

Gallery:

Depot II Gallery

2 Danks St

Waterloo, NSW 2017

Australia