Getting the story right with colour calibration and profiling on iMac and MacBook Pro screens is not a simple task. As I’ve discovered the work-flow is let down by the inability of the user to adjust the iMac or Mac Book monitors RGB balance. Mac only offers options to adjust Native Gamma, Target Gamma and Target White Point.
All this first came to a head after purchasing DataColour’s Spyder 4 Pro and noticing that after calibration/profiling, despite the significant improvement, my iMac monitor still had a distinct green cast when looking at both colour and or black and white images and that my MacBook had a distinct blue cast. I started asking some questions.
Visibly evident green and blue cast after Spyder 4 Pro/ Dataclour calibration.
A friend of mine recently put me onto DispcalGUI, which is open source. DispcalGUI provides customizable settings for “whitepoint, luminance, black level, tone response curve as well as options to create matrix and look-up-table ICC profiles, with optional gamut mapping” as well as providing a very extensive array of colour patches.
Running the first calibrations using DispcalGUI on the iMac and MacBook made it obvious that I was out on a ledge in terms of getting the best response curves because the initial white point and RGB measurements revealed things like this…
You can see on the iMac that blue and red are under whilst green is significantly over in the balance. Unfortunately on Mac systems there appears to be no way to adjust the RGB gain controls manually or via 3rd party software. Even Argyll CMS, which runs fine under Windows was not able to talk to Mac.
After running a second calibration and profile using DispcalGUI on the MacBook you can see a more neutral response to to the black and white image below. However it’s not perfect and still tends to be a little on the blue side which was shown as still being off target in the ‘Interactive Dispay Adjustment” panel prior to the Calibration. I was able to get above 100% of sRGB but only 75-78% of RGB.
Running Colour Eyes Display Pro (fully functional trial) did little to alleviate the cast and the software began to glitch quite badly after the first two runs. I understood that it should be able to talk to and adjust the RGB settings for Mac monitors. But there was little to see that supported that and measuring RGB using DispcalGUI afterwards indicated little change.
Colour Munki looks like the next stop.
Art + Photography 
Before you move to color munki… I am on my second IMAC and went through something similar. The help forum at Coloreyes is very good. What makes a difference for me is to put a black cloth over my monitor, turn out the lights and calibrate, also the window in my room is blacked out. Its been perfect ever since.
Hi Victor. Actually the first calibration with ColourEyes went quite well. It was when I went back to check the calibration that problems began occurring and here I’m talking software glitches, like locking the OS up etc. I had heard of the technique you mentioned and will put that to use at some time soon to see what happens. However at the moment I’m looking for something to talk to whatever Mac OS uses to drive RGB balance as I’m behind the eight ball no matter what software I use unless I can get RGB levels correct before calibration otherwise it’s not a “true calibration” just generating and applying a profile, is it not?
I am not an expert but every problem I have had with calibration has been answered and fixed with help on the Coloreyes Forums. I believe the software, that is Coloreyes, does get the rgb values right. Imacs were notoriously difficult to calibrate. The more recent ones are easier.
Thanks Victor
I hear you. I’ll check them out.